Bibliographie

Bibliographie sélective

Une bibliographie complète peut être consultée via:

https://lirias.kuleuven.be/cv?u=U0019278

Articles (journals):

M. Bleyen et H. Van Gelder, ‘The (de)construction of national photography in minor photographies. The case of Marcel Mariën,’ History of Photography, 35: 2 (mai 2011), 111-122. ISSN: 0308-7298
A. Streitberger et H. Van Gelder, ‘Photofilmic Images in Contemporary Visual Culture’,Philosophy of Photography, 1, 1 (2010): 48-53. ISSN 2040-3682.
H. Van Gelder et H. Westgeest, ‘Photography and Painting in Multi-Mediating Pictures,’Visual Studies, 24, 2 (2009): 122-131. ISSN: 1472-586X.
H. Van Gelder, ‘Photography after modernism’, SIC, 3 (2009): 91-98.
H. Van Gelder, ‘The Shape of the Pictorial in Contemporary Photography’, Image [&] Narrative, 24 (2009):http://www.imageandnarrative.be/inarchive/Images_de_l_invisible/Vangelder.htm
J. Baetens, A. Streitberger, H. Van Gelder, ‘Introduction’, Image [&] Narrative, 23 (November 2008):http://www.imageandnarrative.be/Timeandphotography/baetensstreitbergervangelder.html
J. Baetens, M. Bleyen, H. Van Gelder, ‘Y a-t-il une photographie ‘belge’?’, Contemporary French Civilization, 33, 1 (2008): 157-177.
H. Van Gelder, ‘Photography Today: Between Tableau and Document’, Recherches Sémiotiques / Semiotic Inquiry, vol. 26. , nr. 2-3 (2007): 70-86.
J. Baetens, I. Pezzini et H. Van Gelder, ‘Photographie. Présentation du numéro/Photography. Presentation of the issue’, Recherches Sémiotiques / Semiotic Inquiry, vol. 27. , nr. 3 (2007)/ vol. 28 (2008), nr. 1-2: 3-13.
H. Van Gelder, ‘A Matter of Cleaning Up: Treating History in the Work of Allan Sekula and Jeff Wall’, History of Photography, 31, 1 (Printemps 2007): 68-80. ISSN: 0308-7298
J. Baetens et H. Van Gelder, ‘Editorial’, History of Photography, 31, 1 (Printemps 2007): 1-2. ISSN: 0308-7298
P. Allmer et H. Van Gelder, ‘The Forgotten Surrealists: Belgian Surrealism since 1924’,Image [&] Narrative, 13 (Novembre 2005):http://www.imageandnarrative.be/inarchive/surrealism/introduction.htm
H. Van Gelder, ‘The present-day scholar: an (im)possible representation?’, Image [&] Narrative, 10 (Mars 2005):http://www.imageandnarrative.be/worldmusica/hildevangelder.htm
H. Van Gelder et J. Baetens, ‘On the body as the subject of experience: art as a necessary element of the genesis of knowledge’, Image [&] Narrative, 9 (Octobre 2004):http://www.imageandnarrative.be/performance/vangelder.htm
H. Van Gelder ‘The Fall from Grace. Late Minimalism’s Conception of the Intrinsic Time of the Artwork-as-Matter’, Interval(le)s—I, 1 (Automne 2004): 83-97 –http://www.ulg.ac.be/cipa/pdf/van%20gelder.pdf
H. Van Gelder, ‘The Collector as Artist, the Museum as Home: and the Spectator?’,Hunch. The Berlage Institute Report, 5 (Automne 2002): 48-51.
H. Van Gelder, ‘De artistieke grenzen op het spel. Picturale aspecten van de actuele fotografie’, de sandwichman, 5 (Octobre 2002): 6-21.
H. Van Gelder, ‘Photography: from modus to picture’, dans The Photographic Paradigm, éd. A. Balkema et H. Slager, L & B, Series of Philosophy of Art and Art Theory, vol. 12 (Amsterdam, Atlanta: Rodopi, 1997), 148-162.

Articles (Magazines):

V. Burgin et H. Van Gelder, ‘Artistic Representation and Politics: An Exchange between Victor Burgin and Hilde Van Gelder’, A Prior, 20 (Printemps 2010): 92-121. Également publié en ligne: http://www.eurozine.com/articles/2010-07-30-burgin-en.html; et republié dans V. Burgin, Parallel Texts. Interviews and Interventions about Art (2011) [voir ci-dessous].
H. Van Gelder, ‘Allan Sekula. The Documenta 12 Project (and beyond)’, A Prior, 15 (2007): 210-253.
H. Van Gelder, ‘Een kritische boodschap over de dagelijkse realiteit: fotografie tussen poëzie en politiek/A Critical Message on Everyday Reality: Photography between Poetry and Politics’, A-Prior, 5/6 (Printemps/Été 2001): 170-189.
H. Van Gelder, ‘Op zoek naar de slinger van de immanentie: een hedendaagse mythe’,Obscuur, 6, 19 (Avril 2001): 36-42.
H. Van Gelder, ‘De artistieke grenzen op het spel. Picturale aspecten van de actuele fotografie’, Obscuur, 6, 17 (Octobre 2000): 23-32.
H. Van Gelder and P. Van Reybrouck, ‘Lygia Clark of de onweerstaanbaarheid van het precaire’, De Witte Raaf, 75 (Septembre-Octobre 1998): 21-23.

Livres comme auteur:

H. Van Gelder et H. Westgeest, Photography Theory in Historical Perspective. Case Studies from Contemporary Art (Boston: Wiley-Blackwell, 2011).
L. Dhaenens et H. Van Gelder, Kunstkritiek. Standpunten rond beeldende kunsten uit België en Nederland in een internationaal perspectief (1985-2010) (Tielt: Lannoo Campus, 2010).
C. Stroo, H. Van Gelder et H. Vlieghe (éd.), Vlaamse meesters. Zes eeuwen schilderkunst(Louvain: Davidsfonds, 2004).
H. Van Gelder, Hortus panoramicus. Actuele kunst in de kasteeltuinen van Groenenberg en Gaasbeek, cat. expos. (Bruges: Stichting Kunstboek, 2001). (avec traduction en anglais)
H. Van Gelder et P. Van Reybrouck, Walter Vilain – Observatorium, 2. vol. (Bruges: Stichting Kunstboek, Hasselt: Provinciaal Centrum voor Beeldende Kunsten, 1998-99).

Ouvrages collectifs — directrice de publication:

L. Decan et H. Van Gelder (éd.), Philippe Van Snick. Dynamic Project (Bruxelles: ASA Publishers, 2010).
J. Baetens, A. Streitberger et H. Van Gelder (éd.), Time and Photography (Louvain: University Press Leuven), Lieven Gevaert Series, vol. 10 (2010).
H. Van Gelder et H. Westgeest (éd.), Photography between Poetry and Politics. The Critical Position of the Photographic Medium in Contemporary Art (Louvain: University Press Leuven), Lieven Gevaert Series, vol. 7 (2008).
P. Allmer et H. Van Gelder (éd.), Collective Inventions: Surrealism in Belgium (Louvain: University Press Leuven), Lieven Gevaert Series, vol. 5 (2007).
J. Baetens et H. Van Gelder (éd.), Critical Realism in Contemporary Art. Around Allan Sekula’s Photography (Louvain: University Press Leuven), Lieven Gevaert Series, vol. 4 (2006).
H. Van Gelder (éd.), Pieter Vermeersch. Acoustic Abstractions (Gand: MER Paper Kunsthalle et Louvain: LGC, 2006).
H. Van Gelder (éd.), In the Name of Mozart. Photographs by Malou Swinnen (Louvain: University Press Leuven), Lieven Gevaert Series, vol. 3 (2006).
W. Davidts et H. Van Gelder (éd.), Philippe Van Snick. Undisclosed Recipients, cat. expos. (Malines: De Garage et Strombeek: Cultuurcentrum, 2006).
H. Van Gelder (éd.), Bruegel Revisited (Bruges:Stichting Kunstboek, 2006).
H. Van Gelder (éd.), Constantin Meunier. A dialogue with Allan Sekula (Louvain: University Press Leuven), Lieven Gevaert Series, vol. 2 (2005).
J. Baetens et H. Van Gelder (éd.), Els Vanden Meersch. Paranoid Obstructions (Louvain: University Press Leuven), Lieven Gevaert Series vol. 1 (2004).

Ouvrages collectifs — coauteur:

H. Van Gelder, ‘Contemporary Art Photography’ (titre de travail), dans S. Bull (éd.), The Companion to Photography (Boston: Wiley-Blackwell, 2013). A paraître.
H. Van Gelder, contribution sur plusieurs pages de la transcription du 3iéme Stone Summer Theory Institute (2009), dans J. Elkins et F. Whitehead (éd.), What do Artists Know?, vol. 3 of The Stone Theory Seminars (University Park, PA: Penn State Press, 2012). En cours d’impression.
H. Van Gelder, ‘Allan Sekula’, dans M. Durden (éd.), Fifty Key Writers on Photography(New York: Routledge, 2011). A paraître.
H. Van Gelder, ‘Art Research’, dans J. Wesseling (éd.), The Artist as Researcher, New Roles for New Realities (Amsterdam: Valiz, 2011). En cours d’impression.
V. Burgin et H. Van Gelder, ‘Artistic Representation and Politics: An Exchange between Victor Burgin and Hilde Van Gelder’, dans V. Burgin (éd.) Victor Burgin. Parallel Texts. Interviews and Interventions about Art (Londres: Reaktion Books, 2011), 207-225.
H. Van Gelder, ‘Allan Sekula: lire l’artiste dans l’oeuvre’, dans J. Baetens et A. Streitberger (éd.), Autobiographies mixtes (Paris: Minard, 2011). En cours d’impression.
H. Van Gelder, ‘Polonia and Other Fables. Reading the Artist in the Work’, dans Allan Sekula. Polonia and Other Fables, cat. expos. (Chicago: The Renaissance Society at the University of Chicago et Varsovie: Galerie nationale d’art Zacheta, 2009), 107-112.
H. Van Gelder, ‘Photography as a locus for destabilizing fundamentals. The multi-medial installations of Philippe Van Snick’, dans H. Westgeest (éd.), Take Place. Photography and Place from Multiple Perspectives (Amsterdam: Valiz, 2009), 65-95.
J. Baetens et H. Van Gelder, ‘The Future of the Doctorate in the Arts’, dans J. Elkins (éd.),The New Phd in Studio Art (Washington: New Academia Publishing, 2009), 97-110.
H. Van Gelder, ‘2007, Allan Sekula’, dans I. Marte (éd.), Documenta 12. Katalog/Catalogue, cat. expos. (Kassel: documenta et Museum Fridericianum Veranstaltungs GmbH, 2007), 298-299.
H. Van Gelder, ‘Christian Dotremont’s Theory of Photography’, dans P. Allmer et H. Van Gelder (éd.), Collective Inventions. Surrealism in Belgium (Louvain: University Press Leuven), Lieven Gevaert Series, vol. 5 (2007), 210-242.
H. Van Gelder, ‘The Theorization of Photography Today: Two Models’, dans J. Elkins (éd.), Photography Theory (New York, Londres: Routledge, 2007), 299-304.
H. Van Gelder et J. Baetens, ‘A Note on Critical Realism Today’, dans J. Baetens et H. Van Gelder (éd.), Critical Realism in Contemporary Art. Around Allan Sekula’s Photography(Louvain: University Press Leuven), Lieven Gevaert Series, vol. 4 (2006), 7-9.
H. Van Gelder, ‘Abstraction Today: Pieter Vermeersch’, dans H. Van Gelder (éd.), Pieter Vermeersch. Acoustic Abstractions (Gand: MER Paper Kunsthalle et Louvain: LGC, 2006) 7-49.
K. Schiltz et H. Van Gelder, ‘Sounding Silence. Mozart, Music, and the Visual Arts’, dans H. Van Gelder (éd.), In the Name of Mozart. Photographs by Malou Swinnen (Louvain: University Press Leuven, 2006), Lieven Gevaert Series, vol. 3, 10-21.
H. Van Gelder, ‘Prelude. The Project ‘In the Name of Mozart’, dans H. Van Gelder (éd.), In the Name of Mozart. Photographs by Malou Swinnen (Louvain: University Press Leuven, 2006), Lieven Gevaert Series, vol. 3, 7-9.
H. Van Gelder et W. Davidts, ‘Research (on an) exhibition. Some methodological reflections concerning Philippe Van Snick’s early photographs’, dans H. Van Gelder et W. Davidts (éd.), Philippe Van Snick. Undisclosed Recipients, cat. expos. (Malines: De Garage et Strombeek: Cultuurcentrum, 2006), 11-17.
H. Van Gelder et M. Bleyen, ‘Hans Op de Beeck: Interview’, dans H. Van Gelder (éd.), Bruegel Revisited (Bruges:Stichting Kunstboek, 2006), 58-63.
H. Van Gelder et M. Bleyen, ‘Bruegel Revisited: een situering / Bruegel Revisited: The Setting’, dans H. Van Gelder (éd.), Bruegel Revisited (Bruges:Stichting Kunstboek, 2006), 6-39.
H. Van Gelder, ‘’Social Realism’ Then and Now. Constantin Meunier and Allan Sekula’, dans H. Van Gelder (éd.), Constantin Meunier. A dialogue with Allan Sekula (Louvain: University Press Leuven, 2005), 71-91.
H. Van Gelder, ‘En busca del movimiento pendular de la inmanencia: un mito actual’, dans H. Teerlinck (éd.), The Suspended Moment, cat. expos. (Altkirch: CRAC Alsace, 2005), n.p. [4 p.].
H. Van Gelder, ‘Op zoek naar de slinger van de immanentie: een hedendaagse mythe’, dans H. Teerlinck (éd.), The Suspended Moment, cat. expos. (Altkirch: CRAC Alsace, 2005), n.p. [4 p.].
H. Van Gelder, ‘Searching for the pendulum motion of immanence: a present-day myth’, dans H. Teerlinck (éd.), The Suspended Moment, cat. expos. (Altkirch: CRAC Alsace, 2005), n.p. [4 p.].
H. Van Gelder, ‘A la Recherche des méandres de l’immanence: un mythe contemporain’, dans H. Teerlinck (éd.), The Suspended Moment, cat. expos. (Altkirch: CRAC Alsace, 2005), n.p. [4 p.].
H. Van Gelder, ‘War is coming home”, dans Els Vanden Meersch. Paranoid Obstructions, Lieven Gevaert Series vol. 1, éd. par J. Baetens et H. Van Gelder (Louvain: University Press Leuven, 2004), 8-16.
H. Van Gelder, ‘The Instantaneous Grace of a Split-Second Glance. A ‘Modernist Myth’ of Timelessness Revisited’, dans A. Roesler-Friedenthal et J. Nathan (éd.), The Enduring Instant. Time and the Spectator in the Visual Arts (Berlin: Gebr. Mann Verlag, 2003), 127-133.
H. Van Gelder, ‘Disturbance as Art: Tracing Realism in the Photographic and Video Tableaux of Philippe Terrier-Hermann’, dans Ph. Terrier-Hermann (éd.), Internationales(Amsterdam: Artimo Foundation, 2001), 52-55 and 65-71.
H. Van Gelder, ‘A Pendulum Motion between Art and Science: Jeffrey Wyckoff’s Mastery of Excess’, dans Fusion: Art and Science, éd. V. Faccinto, cat. expos. (Wake Forest: Wake Forest University Art Gallery, 1999), 18-19. Également publié en ligne:http://www.studio-visit.com/jeffrey.wyckoff/statement.html ouhttp://www.wfu.edu/Academic-departments/Art/gall_publication.htm
H. Van Gelder, ‘Chris Coffin: Tracing Time’s Irreversibility’, dans H. Van Gelder et C. Coffin, Chris Coffin: Storm Watch, cat. expos. (New York: Lance Fung Gallery, 1998), n.p. [5 p.]
H. Van Gelder, ‘ »I am always the other »: de geënsceneerde leefwereld van Cindy Sherman/ »I am always the other »: the stage managed world of Cindy Sherman’, dans An unexpected journey, Vrouw en Kunst/Woman and Art (Anvers: Gynaika asbl., 1996), 240-247.

 

Selective bibliography

A complete publication list is available at: https://lirias.kuleuven.be/cv?u=U0019278

Articles (journals):

M. Bleyen and H. Van Gelder, ‘The (de)construction of national photography in minor photographies. The case of Marcel Mariën,’ History of Photography, 35: 2 (May 2011), 111-122. ISSN: 0308-7298
A. Streitberger and H. Van Gelder, ‘Photofilmic Images in Contemporary Visual Culture’,Philosophy of Photography, 1, 1 (2010): 48-53. ISSN 2040-3682.
H. Van Gelder and H. Westgeest, ‘Photography and Painting in Multi-Mediating Pictures,’Visual Studies, 24, 2 (2009): 122-131. ISSN: 1472-586X.
H. Van Gelder, ‘Photography after modernism’, SIC, 3 (2009): 91-98.
H. Van Gelder, ‘The Shape of the Pictorial in Contemporary Photography’, Image [&] Narrative, 24 (2009):http://www.imageandnarrative.be/inarchive/Images_de_l_invisible/Vangelder.htm
J. Baetens, A. Streitberger, H. Van Gelder, ‘Introduction’, Image [&] Narrative, 23 (November 2008):http://www.imageandnarrative.be/Timeandphotography/baetensstreitbergervangelder.html
J. Baetens, M. Bleyen, H. Van Gelder, ‘Y a-t-il une photographie ‘belge’?’, Contemporary French Civilization, 33, 1 (2008): 157-177.
H. Van Gelder, ‘Photography Today: Between Tableau and Document’, Recherches Sémiotiques / Semiotic Inquiry, vol. 26. , nr. 2-3 (2007): 70-86.
J. Baetens, I. Pezzini and H. Van Gelder, ‘Photographie. Présentation du numéro/Photography. Presentation of the issue’, Recherches Sémiotiques / Semiotic Inquiry, vol. 27. , nr. 3 (2007)/ vol. 28 (2008), nr. 1-2: 3-13.
H. Van Gelder, ‘A Matter of Cleaning Up: Treating History in the Work of Allan Sekula and Jeff Wall’, History of Photography, 31, 1 (Spring 2007): 68-80. ISSN: 0308-7298
J. Baetens and H. Van Gelder, ‘Editorial’, History of Photography, 31, 1 (Spring 2007): 1-2. ISSN: 0308-7298
P. Allmer and H. Van Gelder, ‘The Forgotten Surrealists: Belgian Surrealism since 1924’,Image [&] Narrative, 13 (November 2005):http://www.imageandnarrative.be/inarchive/surrealism/introduction.htm
http://www.imageandnarrative.be/worldmusica/hildevangelder.htm
H. Van Gelder et J. Baetens, ‘On the body as the subject of experience: art as a necessary element of the genesis of knowledge’, Image [&] Narrative, 9 (October 2004):http://www.imageandnarrative.be/performance/vangelder.htm
H. Van Gelder ‘The Fall from Grace. Late Minimalism’s Conception of the Intrinsic Time of the Artwork-as-Matter’, Interval(le)s—I, 1 (Autumn 2004): 83-97 –http://www.ulg.ac.be/cipa/pdf/van%20gelder.pdf
H. Van Gelder, ‘The Collector as Artist, the Museum as Home: and the Spectator?’,Hunch. The Berlage Institute Report, 5 (Autumn 2002): 48-51.
H. Van Gelder, ‘De artistieke grenzen op het spel. Picturale aspecten van de actuele fotografie’, de sandwichman, 5 (October 2002): 6-21.
H. Van Gelder, ‘Photography: from modus to picture’, in The Photographic Paradigm, eds. A. Balkema and H. Slager, L & B, Series of Philosophy of Art and Art Theory, vol. 12 (Amsterdam, Atlanta: Rodopi, 1997), 148-162.

Articles (Magazines):

V. Burgin and H. Van Gelder, ‘Artistic Representation and Politics: An Exchange between Victor Burgin and Hilde Van Gelder’, A Prior, 20 (Spring 2010): 92-121. Also published online: http://www.eurozine.com/articles/2010-07-30-burgin-en.html; and reprinted in V. Burgin, Parallel Texts. Interviews and Interventions about Art (2011) [see below].
H. Van Gelder, ‘Allan Sekula. The Documenta 12 Project (and beyond)’, A Prior, 15 (2007): 210-253.
H. Van Gelder, ‘Een kritische boodschap over de dagelijkse realiteit: fotografie tussen poëzie en politiek/A Critical Message on Everyday Reality: Photography between Poetry and Politics’, A-Prior, 5/6 (Spring/Summer 2001): 170-189.
H. Van Gelder, ‘Op zoek naar de slinger van de immanentie: een hedendaagse mythe’,Obscuur, 6, 19 (April 2001): 36-42.
H. Van Gelder, ‘De artistieke grenzen op het spel. Picturale aspecten van de actuele fotografie’, Obscuur, 6, 17 (October 2000): 23-32.
H. Van Gelder and P. Van Reybrouck, ‘Lygia Clark of de onweerstaanbaarheid van het precaire’, De Witte Raaf, 75 (September-October 1998): 21-23.

Books as author:

H. Van Gelder and H. Westgeest, Photography Theory in Historical Perspective. Case Studies from Contemporary Art (Boston: Wiley-Blackwell, 2011).
L. Dhaenens and H. Van Gelder, Kunstkritiek. Standpunten rond beeldende kunsten uit België en Nederland in een internationaal perspectief (1985-2010) (Tielt: Lannoo Campus, 2010).
C. Stroo, H. Van Gelder and H. Vlieghe (ed.), Vlaamse meesters. Zes eeuwen schilderkunst (Leuven: Davidsfonds, 2004).
H. Van Gelder, Hortus panoramicus. Actuele kunst in de kasteeltuinen van Groenenberg en Gaasbeek, exhib. cat. (Brugge: Stichting Kunstboek, 2001). (with English translation)
H. Van Gelder and P. Van Reybrouck, Walter Vilain – Observatorium, 2. vol. (Brugge: Stichting Kunstboek, Hasselt: Provinciaal Centrum voor Beeldende Kunsten, 1998-99).

Books as editor:

L. Decan and H. Van Gelder (eds), Philippe Van Snick. Dynamic Project (Brussels: ASA Publishers, 2010).
J. Baetens, A. Streitberger and H. Van Gelder (eds), Time and Photography (Leuven: University Press Leuven), Lieven Gevaert Series, vol. 10 (2010).
H. Van Gelder and H. Westgeest (eds), Photography between Poetry and Politics. The Critical Position of the Photographic Medium in Contemporary Art (Leuven: University Press Leuven), Lieven Gevaert Series, vol. 7 (2008).
P. Allmer and H. Van Gelder (eds.), Collective Inventions: Surrealism in Belgium(Leuven: University Press Leuven), Lieven Gevaert Series, vol. 5 (2007).
J. Baetens and H. Van Gelder (eds.), Critical Realism in Contemporary Art. Around Allan Sekula’s Photography (Leuven: University Press Leuven), Lieven Gevaert Series, vol. 4 (2006).
H. Van Gelder (ed.), Pieter Vermeersch. Acoustic Abstractions (Gent: MER Paper Kunsthalle and Leuven: LGC, 2006).
H. Van Gelder (ed.), In the Name of Mozart. Photographs by Malou Swinnen (Leuven: University Press Leuven, 2006), Lieven Gevaert Series, vol. 3.
W. Davidts and H. Van Gelder (eds.), Philippe Van Snick. Undisclosed Recipients, exhib. cat. (Mechelen: De Garage and Strombeek: Cultuurcentrum, 2006).
H. Van Gelder (ed.), Bruegel Revisited (Brugge:Stichting Kunstboek, 2006).
H. Van Gelder (ed.), Constantin Meunier. A dialogue with Allan Sekula (Leuven: University Press Leuven, 2005). [Lieven Gevaert Series, vol. 2]
J. Baetens and H. Van Gelder (eds.), Els Vanden Meersch. Paranoid Obstructions, Lieven Gevaert Series vol. 1 (Leuven: University Press Leuven, 2004).

Chapters in books:

H. Van Gelder, ‘Contemporary Art Photography’ (work title), in S. Bull (ed.), The Companion to Photography (Boston: Wiley-Blackwell, 2013). Forthcoming.
H. Van Gelder, contribution on various pages to transcript of the 3d Stone Summer Theory Institute (2009), in J. Elkins and F. Whitehead, What do Artists Know?, vol. 3 of The Stone Theory Seminars (University Park, PA: Penn State Press, 2012). In print.
H. Van Gelder, ‘Allan Sekula’, in M. Durden (ed.), Fifty Key Writers on Photography(New York: Routledge, 2011). Forthcoming.
H. Van Gelder, ‘Art Research’, in J. Wesseling (ed.), The Artist as Researcher, New Roles for New Realities (Amsterdam: Valiz, 2011). In print.
V. Burgin and H. Van Gelder, ‘Artistic Representation and Politics: An Exchange between Victor Burgin and Hilde Van Gelder’, in V. Burgin (ed.) Victor Burgin. Parallel Texts. Interviews and Interventions about Art (London: Reaktion Books, 2011), 207-225.
H. Van Gelder, ‘Allan Sekula: lire l’artiste dans l’oeuvre’, in J. Baetens and A. Streitberger (eds), Autobiographies mixtes (Paris: Minard, 2011). In print.
H. Van Gelder, ‘Polonia and Other Fables. Reading the Artist in the Work’, in Allan Sekula. Polonia and Other Fables, exhib. cat. (Chicago: The Renaissance Society at the University of Chicago and Warsaw: Zacheta National Gallery of Art, 2009), 107-112.
H. Van Gelder, ‘’Photography as a locus for destabilizing fundamentals. The multi-medial installations of Philippe Van Snick’, in H. Westgeest (ed.), Take Place. Photography and Place from Multiple Perspectives (Amsterdam: Valiz, 2009), 65-95.
J. Baetens and H. Van Gelder, ‘The Future of the Doctorate in the Arts’, in J. Elkins (ed.),The New Phd in Studio Art (Washington: New Academia Publishing, 2009), 97-110.
H. Van Gelder, ‘2007, Allan Sekula’, in I. Marte (ed.), Documenta 12. Katalog/Catalogue, exhib. cat. (Kassel: documenta and Museum Fridericianum Veranstaltungs GmbH, 2007), 298-299.
H. Van Gelder, ‘Christian Dotremont’s Theory of Photography’, in P. Allmer and H. Van Gelder (eds.), Collective Inventions. Surrealism in Belgium (Leuven: University Press Leuven), Lieven Gevaert Series, vol. 5 (2007), 210-242.
H. Van Gelder, ‘The Theorization of Photography Today: Two Models’, in J. Elkins (ed.),Photography Theory (New York, London: Routledge, 2007), 299-304.
H. Van Gelder and J. Baetens, ‘A Note on Critical Realism Today’, in J. Baetens and H. Van Gelder (eds.), Critical Realism in Contemporary Art. Around Allan Sekula’s Photography (Leuven: University Press Leuven), Lieven Gevaert Series, vol. 4 (2006), 7-9.
H. Van Gelder, ‘Abstraction Today: Pieter Vermeersch’, in H. Van Gelder (ed.), Pieter Vermeersch. Acoustic Abstractions (Ghent: MER Paper Kunsthalle and Leuven: LGC, 2006) 7-49.
K. Schiltz and H. Van Gelder, ‘Sounding Silence. Mozart, Music, and the Visual Arts’, in H. Van Gelder (ed.), In the Name of Mozart. Photographs by Malou Swinnen (Leuven: University Press Leuven, 2006), Lieven Gevaert Series, vol. 3, 10-21.
H. Van Gelder, ‘Prelude. The Project ‘In the Name of Mozart’, in H. Van Gelder (ed.), In the Name of Mozart. Photographs by Malou Swinnen (Leuven: University Press Leuven, 2006), Lieven Gevaert Series, vol. 3, 7-9.
H. Van Gelder and W. Davidts, ‘Research (on an) exhibition. Some methodological reflections concerning Philippe Van Snick’s early photographs’, in H. Van Gelder and W. Davidts (ed.), Philippe Van Snick. Undisclosed Recipients, exhib. cat. (Mechlin: De Garage and Strombeek: Cultuurcentrum, 2006), 11-17.
H. Van Gelder and M. Bleyen, ‘Hans Op de Beeck: Interview’, in H. Van Gelder (ed.),Bruegel Revisited (Bruges: Stichting Kunstboek, 2006), 58-63.
H. Van Gelder and M. Bleyen, ‘Bruegel Revisited: een situering / Bruegel Revisited: The Setting’, in H. Van Gelder (ed.), Bruegel Revisited (Bruges: Stichting Kunstboek, 2006), 6-39.
H. Van Gelder, ‘’Social Realism’ Then and Now. Constantin Meunier and Allan Sekula’, in H. Van Gelder (ed.), Constantin Meunier. A dialogue with Allan Sekula (Leuven: University Press Leuven, 2005), 71-91.
H. Van Gelder, ‘En busca del movimiento pendular de la inmanencia: un mito actual’, in H. Teerlinck (ed.), The Suspended Moment, exhib. cat. (Altkirch: CRAC Alsace, 2005), n.p. [4 p.].
H. Van Gelder, ‘Op zoek naar de slinger van de immanentie: een hedendaagse mythe’, in H. Teerlinck (ed.), The Suspended Moment, exhib. cat. (Altkirch: CRAC Alsace, 2005), n.p. [4 p.].
H. Van Gelder, ‘Searching for the pendulum motion of immanence: a present-day myth’, in H. Teerlinck (ed.), The Suspended Moment, exhib. cat. (Altkirch: CRAC Alsace, 2005), n.p. [4 p.].
H. Van Gelder, ‘A la Recherche des méandres de l’immanence: un mythe contemporain’, in H. Teerlinck (ed.), The Suspended Moment, exhib. cat. (Altkirch: CRAC Alsace, 2005), n.p. [4 p.].
H. Van Gelder, ‘War is coming home”, in Els Vanden Meersch. Paranoid Obstructions, Lieven Gevaert Series vol. 1, ed. by J. Baetens and H. Van Gelder (Leuven: University Press Leuven, 2004), 8-16.
H. Van Gelder, ‘The Instantaneous Grace of a Split-Second Glance. A ‘Modernist Myth’ of Timelessness Revisited’, in A. Roesler-Friedenthal and J. Nathan (eds.), The Enduring Instant. Time and the Spectator in the Visual Arts (Berlijn: Gebr. Mann Verlag, 2003), 127-133.
H. Van Gelder, ‘Disturbance as Art: Tracing Realism in the Photographic and Video Tableaux of Philippe Terrier-Hermann’, in Ph. Terrier-Hermann (ed.), Internationales(Amsterdam: Artimo Foundation, 2001), 52-55 and 65-71.
H. Van Gelder, ‘A Pendulum Motion between Art and Science: Jeffrey Wyckoff’s Mastery of Excess’, in Fusion: Art and Science, ed. V. Faccinto, exhib. cat. (Wake Forest: Wake Forest University Art Gallery, 1999), 18-19. Also published on the internet:http://www.studio-visit.com/jeffrey.wyckoff/statement.html orhttp://www.wfu.edu/Academic-departments/Art/gall_publication.htm
H. Van Gelder, ‘Chris Coffin: Tracing Time’s Irreversibility’, in H. Van Gelder and C. Coffin, Chris Coffin: Storm Watch, exhib. cat. (New York: Lance Fung Gallery, 1998), n.p. [5 p.]
H. Van Gelder, ‘ »I am always the other »: de geënsceneerde leefwereld van Cindy Sherman/ »I am always the other »: the stage managed world of Cindy Sherman’, in An unexpected journey, Vrouw en Kunst/Woman and Art (Antwerp: Gynaika vzw., 1996), 240-247.